her 1967 work handle with care Kent layered slogans—including words from a button and from a Chevrolet ad (“See the man who can save you the most”)—so that reading them “becomes an act of mental and physical calisthenics, that calls for slow rigorous scrutiny,” says curator Susan Dackerman. Kent also began experimenting with fluorescent inks, likely inspired by the color experimentation and theories of fellow artist Josef Albers ; his screenprint of layered squares, Wide Light; Tenuous; Full (1962) also appears in the gallery.
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