Horrorcore Bands

SUICIDEBOYS
A pair of hardworking misanthropes who each sport more 
than five or six aliases apiece, the $uicideboy$ of New Orleans are one of rap’s hottest commodities right now. Their obsidian, glitch trap songs barely last longer than one minute, and each tend to make references to upside down crosses, the number six hundred and sixty six, drugs, the Devil, and, of course, suicide. The whole aura of the group is low-fi menace stuck in perpetual relapse.

GRAVEDIGGAZ

 Although they claimed that their name was in reference to the “mentally dead,” New York’s Graveddigaz always seemed fueled by the type of adrenaline that Herbert West pumped into those dead corpses in order to make them reanimate. A supergroup formed by Prince Paul that included Wu-Tang member RZA, Poetic, and Frukwan, Gravediggeaz usually get the label as the first hip-hop act to go full horrorcore. While some horror music purists might be turned off by some of the overt socio-political messages of Gravediggaz, it cannot be denied that tracks like “1-800-Suicide” and “Diary of a Madman” drip with ghoulish delight. 



FLATLINERZ

Yet another New York act, Flatlinerz were one of the first hip-hop groups to go whole hog with horror movie imagery and themes. Their masterpiece, 1994’s U.S.A. (Under Satan’s Authority), is more evil than the last Behemoth record, plus Flatlinerz made some wickedly grotesque videos back in the 1990s for songs like “Satanic Verses.”



BROTHA LYNCH HUNG

If you’re questioning Brotha Lynch Hung’s metal credentials, look no further than the fact that in 1996, he was submitted to the same type of scrutiny that greeted Judas Priest, Ozzy Osbourne, and Marilyn Manson in the 1980s and 1990s. Namely, an 18-year-old monster and recent juvie parolee by the name of Joseph Edward Gallegos primed himself for a night of murder by ingesting methamphetamine and cranking the volume on “Locc 2 da brain,” his favorite Brotha Lynch Hung song. At the end of the night, three of his roommates lay dead, victims of bullets spat out by Gallegos’s Beretta 9mm. Many blamed the violence on Brother Lynch Hung. After all, the musician’s songs glorify murder and mutilation, with some videos even beginning with disclaimers urging all people under eighteen to turn the channel or to shut the computer down. Without a doubt, Brotha Lynch Hung, a Sacramento-based rapper who has been working since the early 1990s, is probably the most obscene songwriter in the history of horrorcore. 


NECRO

Of all horrorcore artists, Necro will probably appeal to most metalheads currently sitting on the fence. Necro (real name Ron Braunstein) has never shied away from citing metal acts like Death, Metallica, and Obituary as influences. Metal musicians as diverse as Scott Ian of Anthrax and Jamey Jasta of Hatebreed have collaborated with Necro, while the man even rapped over a blast beat drummed by former Suffocation skinbeater Mike Smith. All you have to do is look at Necro’s cover art to realize that this guy is the real deal.



GETO BOYS

Horrorcore was born in New York City, but its soul was formed in Houston by several emcees, the heart of which consisted of Big Willie D, Bushwick Bill, and Scarface. In the early 1990s, when most of America was still coming to terms with basic gangsta rap, the Geto Boys churned out songs that dealt with much darker topics, like insanity, suicide, necrophilia, and murder. The urban hellscape described the Geto Boys isn’t too far off from Dante’s inferno, and metal bands should take note: dragons, Satan, and black magic are never as scary as real life.