- Tribal House
Tribal house is a subgenre of house music which combines traditional house music with world music. It is similar in structure to deep house, but provides elements of ethnic or indigenousmusical percussions (typically conga drums or its synthesized derivative).
- Happy Hardcore
Happy hardcore, also known as happy rave, happycore or happy gabber is a genre of hard dance typified by a very fast tempo (usually around 160–190 BPM), often coupled with solo vocals or sentimental lyrics. Its characteristically 4/4 beat "happy" sound distinguishes it from most other forms of hardcore, which tend to be "darker". It is typically in a major key. In its original incarnation, it was often characterized by piano riffs, synthetic stabs and spacey effects.
- Heavy Gothic Rock
is a style of rock music that emerged from post-punk in the late 1970s. The first post-punk bands which shifted towards dark music with gothic overtones include Siouxsie and the Banshees, Joy Division, Bauhaus and the Cure.
The genre itself was defined as a separate movement from post-punk due to its darker music accompanied by introspective and romantic lyrics. Gothic rock then gave rise to a broader subculture that included clubs, fashion and publications in the 1980s
- Horrorcore
a subgenre of hip hop music based on horror-themed and often darkly transgressivelyrical content and imagery. Its origins derived from certain hardcore hip hop and gangsta rapartists, such as the Geto Boys, which began to incorporate supernatural, occult, or psychological horror themes into their lyrics and, unlike most gangsta-rap artists, pushed the violent content and imagery in its lyrics beyond the realm of realistic urban violence to the point where the violent lyrics became gruesome, ghoulish, unsettling, or slasher film- or splatter film-esque. While exaggerated violence and the supernatural are common in horrorcore, the genre also frequently presents more realistic yet still disturbing portrayals of mental illness and drug abuse. The term "horrorcore" was popularised by openly horror-influenced hip hop groups such as Flatlinerz and Gravediggaz.
- Madchester
a music and cultural scene that developed in the Manchester area of the United Kingdomin the late 1980s, in which artists merged alternative rock with acid house culture and other sources, including psychedelia and 1960s pop. The label was popularised by the British music press in the early 1990s, and included groups such as Happy Mondays, the Stone Roses, Inspiral Carpets, Northside, 808 State, James and The Charlatans, amongst others.
The rave-influenced scene is widely seen as heavily influenced by drugs, especially ecstasy (MDMA). At that time, the Haçienda nightclub, co-owned by members of New Order, was a major catalyst for the distinctive musical ethos in the city that was called the Second Summer of Love.
- Bubblegum pop
a genre of pop music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. Bubblegum's classic period ran from 1967 to 1972. A second wave of bubblegum began two years later and ran until 1977 when disco took over and punk rock emerged.
- Technical Brutal Death Metal
Technical experimentation in death metal began in the late 1980s and early 1990s by bands such as Death, Atrocity, Atheist and Cynic. In 1990 Atrocity, with their first album Hallucinations, significantly influenced many bands. In 1990, Nocturnus released their debut album, The Key, which was followed by Sarcófago's third album, The Laws of Scourge, featuring a change in their musical style from black metal/thrash metal to technical death metal.
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